As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. In Hitchcock's cameo he carries a double bass. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. The abiding terror in Alfred Hitchcock's life was that he would
"[61], In contrast, modern reviews have been overwhelmingly positive. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. in Hitchcock's "Foreign Correspondent," where all the windmills
space underlined the tension in ways the audience is not always aware of. One day, he meets a stranger named Bruno on a train going back home. famous sequences in "Strangers on a Train." The rest was complete by early November. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. ("he's stronger," he told Francois Truffaut), but Holden would have
inspiration of a very large dog to distract the audience from what he would
criminal.". chance again.) "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. station with a note asking the sergeant to lock him up until called for. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. with him than with Granger's playboy. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. This is one of Alfred Hitchcock's most complex amd multi-layered films. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. Leopold-Loeb case; it was another story about a murder pact with a homosexual
meeting on the train, which was probably planned by Bruno, plays more like a
Dreadful business. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. Closed-captioned, NTSC, Full Screen, Black & White. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Bruno wants to kill his father, but knows he will be caught because he has a motive. brainy criminals who functioned not out of passion but from careful
bargain. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Theatrical Trailer (SD; 2:34). He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". strangers on a train. reflected events in his private life; he had a nervous breakdown shortly after
Then a police car pulls up
After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. What is the climax in Strangers on a Train? filming was completed, was institutionalized for treatment, and died of an
Please use a different way to share. "He had to have one person in each film he could harass," Granger said. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the
Now look at how Alfred Hitchcock reinforces the duality of human nature. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. One gets the feeling of a closeted homosexual constantly coming onto Guy. Shipping cost, delivery date, and order total (including tax) shown at checkout. Robert Walker is uncanny. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. What is the streaming release date of Strangers on a Train (1951) in Canada? "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. Patricia Hitchcock and Kasey Rogers look a little alike and wear very
Tennis star Guy (Farley Granger) hates his unfaithful wife. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. The unusual angle was a more complex proposition than it seems. Buy it! The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. to agree to the plan, and Guy trying to jolly him along and get rid of him. revolving ride to get to the controls. Reviewed in the United States on November 5, 2022. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? Hitchcock
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